Homer Jackson

Homer Jackson is a friend of mine. He’s a visual and performance artist. We met several years ago in Miami where he was doing a performance art piece (not to be mistaken for a theatrical piece on stage). It was at South Florida Arts Center, where I eventually became part off the exhibition review committee. He and I discussed his print publication but, my interest veers toward web publishing where I feel art oriented topics have more immediacy for action and discussion. Hence, I became Editor of miamiartexchange.com

Holding the Door Open: An Interview with Homer Jackson

Shine
Philadelphia’s Homer Jackson has launched “Shine: Conversations Between Artists,” a quarterly newsletter he calls “a national, even international dialogue.” Jackson is a important performance and community artist deeply concerned about the voices of artists of color. The first issue includes interviews with Atlanta’s award-winning poet Alice Lovelace and recording producer Richard Nichols, an article on the baffling health-insurance situation of the late MC Poetic, and a profile of Alternate ROOTS. Upcoming issues examine the role of the black performance artist and the worlds of community-based art and public art. Contributors and feature artists include Euware Osayande, Gary Moore, Robin Holder, Sherman Fleming, SuAndi, June Edwards and Rick Lowe. $10/year. E-mail: homershines@yahoo.com.

Puhleeeze

“God, that is so gay.” “Openly gay and lesbian artists – writers, directors, actors, composers – are more visible than ever in 2003 America. Indeed, when two men can share a kiss on national TV in celebration of their 25-year relationship and the Tony they have just won, it seems as if a milestone of acceptance and assimilation has been reached. And, certainly, gay characters are more in evidence than ever before on stage, screen, and TV. When a mainstream newspaper like USA Today runs an article asking, ‘How ‘in’ is it to be gay? Let us ‘out’ the ways,’ something must be afoot.”

Venice Biennale, 2003 – THE World’s Major Art Fair

Francesco Bonami’s 2003 Venice Biennale has been trashed already.

Venice Biennale: But where’s the art? What are the expectations of art and artists in today’s climate? Those outside the direct influence and knowledge of the artworld certainly don’t find of interest the search for some of the conceptual extremes that have received press in recent years. That lay audience still treasures realist works because they can grab ahold of it in their minds and relate to something they understand. Even “fantasy” based art and graffiti can do that. Abstraction and Conceptualism are more difficult but, many find it worthy and acceptable. What’s your take on it (after reading part of all of the articles)?

[Of course, the question is posed to all no matter how much you are involved with visual art.]

changes for the better…

I have been a bit concerned about my financial situation this summer. I’ve managed to have some freelance web design lined up because just maintaining sites isn’t gonna cut it. I’ve got some writing projects lined up. I think that’s amazing! Diasporavibe Gallery asked me to write up some promotional stuff on some of their artists and make slides of artists’ work. They also asked me to get them a proposal for a catalogue project where they’ll need images, text and layout work done. Nice work if you can get it.

My cousin’s daughter is in town for the American Black Film Festival. I only met her for the first time at my Uncle’s (her grandfather) funeral. She and I have similar interests so that’s really kewl. She has a graphic design degree and wants to study film/video at NYU. Anyway, I was talking to her while walking in South Beach to grab a bite to eat, that Miami New Times was interested in me freelancing some articles on art and culture but that I hadn’t heard from them in a couple months. Well, I got home, checked my email, and there was the email to give a call to the person that spoke to me about it. Sure enough, they wanted me to write something and it fit exactly one of my interests. I have two weeks or so to put something together. This will be nice. I haven’t written for a newspaper in a while but I’m excited.

Okay, now the bad news. The film in my camera jammed and I lost a roll. The counter kept advancing but the film wasn’t in the spool correctly. Oh well… I did get some of the cycling pics to come out okay. And, some of the flora images. The ones I want to examine more closely are those I took with a point-and-shoot underwater camera. I was just hoping for some blurred, out of focus, unbalanced color type stuff. Scanning begins tomorrow.

Oh! I forgot to mention my cooking adventure for today. I decided a few days ago to buy some fresh peaches and make a cobbler. And did I! Have mercy it is GOOOOOOOD! I took my time for everything letting it cool. I couldn’t wait. I scooped up some, put in a bowl with a nice scoop of vanilla ice cream and just about licked the bowl afterwards… :-Þ~~

Big Apology

Sorry for the multiple postings… a glitch somewhere. I didn’t see my postings even after refreshing my pages. After 3 hours I came back, then deleted the multiples. Please forgive me.

Minnesota, and all that…

I got home last night after spend the past few days in Minnesota. My trip was two-fold. I went to take pics at day one of a four-day bicycle race, and to do some art. Well, the art took a back seat because of something I wasn’t prepared for. An unruly, but cute, dog.

My friend was given a dog by his sister a year ago but since he’s not very parental, his dog has taken control of his life and everyone that comes close. I exited the airport, got into the car and knew my ears were being targeted by a wet tongue. I had to spend 250 miles of driving to prevent this from happening. The dog moaned, groaned, whined, wheezed, barked, growled, jumped, crawled, snuggled, clawed, scratched, pounced, and anything else I’ve forgotten all the way. This went on for the next 3 days, almost non-stop! Eye contact was the dogs license to do whatever he wanted, including jumping into bed to play, with his nasty doggy body odor and wet drool. I had to fight this off for 4 of my 5 days there.
let’s move on, please

from JawnBC

1. Your work, your life, are informed by post-colonialism. As is your Self. Can you tell us about your encounters with po-co, how and why it makes sense to you, and how it informs how you live your life?

I came of age during the 60s but with my childhood interests in African American writers of fiction and poetry there was a consistent subtext for the fight for recognition, both as a valued contributor to ones locale, region and the world, and the great joy and honor it was to participate in a long tradition of peoples of the African diaspora. I embraced the concept of the African Atlantic world and saw this rich, yet ignored, culture that was brought to the American continents as something I was part of. Even though somewhat flawed, Amieé Ceasere and former President of Cote d’Ivoire (both writers) evolved the culture concept of “Negritude” which was a praising of our “blackness,” our “Africanness” with open arms. On the other hand there were freedom fighters Kwame Nkrumah (Ghana), Nigeria’s independence, the Black Panthers (whose tactics I didn’t particularly like), and Dr. Ron Karenga, founder of the US Org. and today’s widely celebrated Kwanzaa. Dr. Karenga was very much a cultural nationalist, but a bit militant. I liked a man that could intelligently argue his points, not just out shout somebody or wield a gun to get his respect. In the 1970s I decided I no longer wished to carry the family name that had in all likelihood been my family’s slaveowners. (My father has accepted my decision yet I had to send him copies of my legal documents and I’m sure he was disappointed in my name change since I was named after both grandfathers.) I also have Cherokee background and there were issues there about a Cherokee and and African woman marrying, again with names changed out of necessity (a couple generations ago). So, to end this initial answer, during the this somewhat mixed up lifetime of mine I have found that even though we are all human, culture is one thing that differentiates us, yet provides for fascinating ways to learn about the world in which we live. Artists work within the cultural realm and therefore I think I’m in my element, along with many others.

2. The US National Endowment for the Arts offers you a fellowship worth US$40k a year for 3 years. Donor constraints require your term to be served in the US, but not in any place you’ve ever been resident. Where would you go and why?

(Any place I’ve been a resident, meaning city, county, or state? I’d hope that would only mean city, although you can re-specify if you like.) This would be a beautiful opportunity. First year I’d spend in Edgefield, County, South Carolina. Charleston, SC and New Orleans were the two major ports into which slaves were brought (into the U.S.). I would like to research my own family’s history and see how it works out with family rumored to be in the Bahamas. These people and connections would be worked into very interesting series of visual and textual works. The following year would be spent in Atlanta. As the ‘mecca’ of African American education and culture in the south, I would love to live and work there and see what happens. I’ve been there several times and every time I come away feeling very positive about the city and environs. The final year I would have to reserve until the last portion of the second year because Atlanta might be worth staying longer. If I had to go on to another city, I guess the most obvious choice would be NYC because it is still the most important city in the U.S. for visual art and I would definitely want the opportunity to exhibit the work of the 2 previous years in the proper venue.

3. What makes you weep? Why? One thing that really gets to me is child abuse of any kind. Hearing a young child describe something really tramatic can make me shed tears. I’m not sure why but, I guess it comes from seeing the comforting gestures of many of my family members.

4. Name every synonym for penis that you can. Phrases or words, in English (foreign words that appear in English usage are ok). Jeeeze… I’m not good at this but, here goes. Cock, dick, schlong, rod, penga, boner, tinkle, peter, ? Sorry, that’s the best I can do.

5. On the day my life changed forever…(finish please) Since my life is not punctuated by highly dramatic events I would have to say it was the day my mother died. She and I were very close, unlike my father at the time. After her death he began to reach out to us kids and now we have a very warm, loving relationship. I’m very sad it took my mother’s death for that actualization.